Author's note: Since writing this
post, I have learned that the Lascelles family earned money through the slave
trade. Since the house is still in private hands, it is telling but not
entirely surprising that this is not mentioned anywhere. I felt it important to
note this so that any readers coming to it at a later date have that context
when reading.
I actually really enjoyed the new
Emma movie, but I'd need to watch it more times to write a post about it (the
fabrics alone are incredible!), but I am going to be talking about a different
movie this month: Downton Abbey. I did not know that the movie had filmed at
Harewood before I went last year, but as I started reading more about it I was
pleased to see they'd filmed scenes there. Mary, the Princess Royal (daughter
of King George V and Queen Mary) features in the film along with her parents,
and she was married to Viscount Lascelles (who was later Earl of Harewood), so
it's natural that the movie would film in a place she actually lived.
You can see some of the
architectural marks she left upon the house, such as her dressing-room, which
includes her cipher:
It's a pretty room, although of a later
architectural period than I'm generally interested in. The lapis lazuli inlaid
fireplace is particularly beautiful:
As you can tell, however, the view
of the best feature of the room is blocked by a giant dress, for unfortunately
I when I visited they were putting on an exhibition of crafts. While I'm all
for them doing things like this, and I might even have enjoyed seeing the
crafts had they been exhibited elsewhere (at Nostell, exhibits were kept in the
lower level in old service rooms that had not been restored), when they're
interrupting the design and architecture of the rooms, they're just annoying.
I'd come to the house because it was
another Robert Adam / Thomas Chippendale collaboration, and frankly to put
local craftspeoples' work up against the masterpieces of these two who were the
pinnacle of an entire era, executed by master craftsmen, just made a lot of the
modern stuff look crass and poorly executed. I think that's why I started
focusing on details of the Georgian-era craftsmanship even more than I usually
do; when I went back through my photos I found tons and tons of details. So I
thought I would share even more photos than I usually do, with less commentary,
although I will pop in with some occasional bits on the most noteworthy items.
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| These
library steps were by Chippendale. |
 |
| The
Chinese wallpaper in this bedroom was originally hung in another room, then cut
down and stored away for almost 200 years before it was installed in this room.
The bed was by Chippendale. |
 |
| This
clothes press was also by Chippendale |
Posting some old 360s of Harewood to restore another blog post.
Posted by Sophie Turner on Sunday, February 7, 2021
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| Unfortunately
they've put a temporary coverlet on the magnificent Chippendale state
bed...it's actually a rather interesting modern-style toile but the way they
displayed it isn't doing either the fabric or the bed justice. |
 |
| You
don't often see Georgian shutters closed on these tours, so I snagged a
photo! |
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| I
haven't been commenting on each of the Robert Adam ceilings but they are truly
each works of art. Amazing detail. |
 |
| I
encountered a couple of these: doors in the library with fake books on them so
they allow an uninterrupted line of "books". |
 |
| Harewood
has three libraries, with this one being the largest. Most of the Georgian
features were replaced in the Victorian era by Sir Charles Barry, although the
Adam ceiling remains. As the abundance of libraries shows, even beyond the need
to store books, they became much more social centers of the house in the 19th
century. |
 |
| Here
you can see a fantastic original carpet. Just kidding. The craft exhibit
strikes again. |
 |
| One
thing that really strikes me in going through these photos is how differently
they mixed colors in that era. They're not combos you'd commonly see today. |
More old 360s of Harewood...
Posted by Sophie Turner on Sunday, February 7, 2021
 |
| I
was really disappointed they had put giant shelves up in the middle of the
gallery so that it interrupted the view of the room. But it is still an amazing
room! |
 |
| The
dining room was probably the most substantially altered by Barry (in the 1840s)
and has an almost neo-Jacobean ceiling plaster. |
 |
| Love
this sideboard and wine chiller! |
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| That
carpet! How I wish there weren't little ballet shoes all over it! |
Last batch of 360s, for now! (These are from Harewood)
Posted by Sophie Turner on Monday, February 8, 2021
We're heading below stairs, now, to the
servants' quarters...
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| This was the servants' hall. |
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| This is the still room, which is not one you
commonly get to see in these country houses. |
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| This is the steward's room, and the quality of the room features and furnishings indicates his status within the household, although he is still on the service level. |
That's all for the inside of the house: I hope you enjoyed this close look at some amazing Georgian-era craftsmanship. But of course there is an outside as well, and it's really lovely.
If you have seen the Downton Abbey movie you may recall from the exterior shots that it's incredibly well-situated, with a terrace behind the house and then the landscaped grounds beyond. Be warned, there's some prominent statue nudity, although it's not super defined.
Beyond the formal terrace garden is landscape done by Capability Brown and later additions were made by Humphrey Repton, so this house has truly seen the work of FOUR of the greatest artists of the Georgian era.
I really loved the mix of formal and informal. The formal terrace came later, in the Victorian era, but I can't imagine the house without it.
That's all for this month's post, but I'll be back with another Robert Adam house next month, so we're not done with my architectural tours just yet!
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