Sunday, July 26, 2015

What happened to Mrs. Bennet's money?

Usually when I post about things in this blog, I have at least some sort of theory about them, and this is my place to expand on that theory (outside of working it into my stories). I have no theory on this one. I'm curious whether anyone else does -- so if you do, please chime in within the comments.

Mrs. Bennet's daughters get their share of four thousand pounds after she dies, and Elizabeth's fortune is later indicated to be one thousand pounds, in the four per cents, while Mr. Gardiner indicates in his letter to Mr. Bennet of Lydia's portion of the five thousand pounds divided among the sisters after the decease of Mr. and Mrs. Bennet.

I suppose I always thought that the four thousand pounds grew to five thousand pounds because the interest had been reinvested. Lately, despite an abhorrence of math, I did the math (well, actually a spreadsheet did the math, but I did the formula!), and was surprised at what I found.


If it had been in the five per cents, by the time of the novel, it should have turned into at least 11,000 pounds. Even in the four percents, the safer assumption as it is what was indicated by Mr. Collins, it would have been more than 9,000 pounds. What's more, if Mr. and Mrs. Bennet lived another 10 years, it would have been 13,493 pounds (in the five per cents, more than 18,000 pounds -- I have no idea why one would invest in the four per cents when the five obviously brings more money...perhaps it was more risky?). Obviously, after Mr. Bennet died, Mrs. Bennet and any remaining daughters would have begun living off of the interest.

Each of the Bennet daughters should likely have had at least two thousand pounds, unless both Mr. and Mrs. Bennet die before 1816. Which doesn't sound like much compared to Georgiana Darcy's 30,000 pounds, but it could have brought each of them one hundred pounds a year in the five per cents, which is the very base level of genteel living. If all of them had remained unmarried, they would have had something like five hundred a year, which puts them in range with the Dashwoods -- come down from where they had been, but not by any means living in hedgerows.

So this leaves me with the question -- what happened to the money?

Did it form Mrs. Bennet's pin money, and she spent it all on ribbons? Were they instead taking the interest and including it as part of Longbourn's income? Was there some great expense in the past that required them to dip into the savings? Perhaps Mr. Bennet purchased more land or used it to fund improvements to the estate?

Regardless, it makes the negligence of the Bennet parents even more egregious, to me. I think more lowly of Mr. Bennet, particularly, now, for not taking what should have been a comparably simple step to keep growing his wife's fortune.

I don't think this is going to have any bearing on the Constant Love series, but I'm going to file it away for possible future use. What will make the series is my conjectures on the financial status of the Fitzwilliams: namely, why did both Lady Anne and Lady Catherine not marry noblemen, as would a have been expected, and why was a colonelcy all that could be done for Colonel Fitzwilliam? It's going to be awhile before we get to my theories on these, but get to them we shall!

PS: Today (7/26) is your last day to enter to win an ebook copy of A Constant Love, over at Babbling of a Bookworm. And while you're there, you can read my guest post on Regency London.

Monday, July 6, 2015

French frigate Hermione

It's time for another ship "tour," this time of one you may have seen on the news, particularly if you live on the East coast of the United States. The Hermione, a detailed replica of the 32-gun frigate that carried General Lafayette from France to the fledgling United States in 1780, has been making a tour up our coastline.



I passed on seeing her in Baltimore so that I could go to Philadelphia for its full tall ships festival, which may or may not have been a good idea. There were far more tall ships to see, but it was extremely crowded, and rained most of the day, so I have a rather dreary set of photos.


They really strove for accuracy in the Hermione, so I was disappointed that you could not go down to the lower decks of the ship. I'm not sure if they sought the same degree of accuracy there, as I'm sure there are a lot of contrivances required to actually sail a ship of this size across the Atlantic under modern maritime regulations. But I've been seeking historically accurate captain's cabins, and they are not easy to find fully set up -- HMS Victory's is, but it's of a much larger size than one would find on a frigate.


The thing that really got me when it comes to accuracy is the smell. Hermione smells exactly like HMS Victory (who will get her own tour here, soon enough), so I had no doubt that there is proper tar in her rigging!


But really, my limited pictures are not nearly enough to do this ship justice. For that, you need to see her under sail. This CBS Sunday Morning video does a great overview of the story of the ship, and also shows a bit of the process of building her, using traditional techniques, in addition to plenty of great sail footage:


Tuesday, June 30, 2015

In the Family Way: Childbearing in the British Aristocracy, 1760-1860

I have a confession to make: I am often disappointed by "Jane Austen and _____" books. Granted, there have been some I've read that were good reads, and have been very helpful for my research (such as Jane Austen and the Navy). But lately I seem to have come upon a crop that felt too narrowly focused on Austen's life and her books -- I really felt the lack of the greater context of the times and a larger set of sources. It's for this reason that I devoured E.W. Bovill's excellent English Country Life: 1780-1830.

However, I think I have a new favorite, and it's one that I would go so far as to say I think every Austen fan should read, particularly the first few chapters. It's In the Family Way: Childbearing in the British Aristocracy, 1760-1860, by Judith S. Lewis, and although it may sound from the title that it is narrowly focused on childbirth, it covers far more than that.

In those first few chapters, Lewis, in very cogent writing, provides supporting details for this statement:

“Historians are also beginning to believe that the nature of marriage and family life changed between the eighteenth and nineteenth centuries. The traditional, non-emotive marriage, in which loyalties and associations were largely directed toward the lineage, came to be replaced by the by the ‘companionate’ marriage, one in which private emotions, not public functions, predominated. This new form was marked by a primary loyalty to the nuclear family rather than to the larger network of kin.”

If this sounds familiar to you, it's because you've read it before, but in a fictional format. This, after all, is the marriage for love Elizabeth Bennet desires, to the point where she is unable to understand how Charlotte Lucas could desire that more old-fashioned form of non-emotive marriage. Indeed, as I read those first few chapters, they felt familiar and right to me, because they supported Austen's romances.

Let me take a paragraph to gush about Jane Austen, and then I'll return to Lewis's work. I've already blogged about how the concept of reading for pleasure developed between about 1750 and 1850. I find it interesting -- and perhaps it is not at all coincidental -- that this overlaps with the emergence of this more emotional form of marriage. What is remarkable about Austen's work is that not only was she able to write novels that were -- and continue to be -- such delights to read, in a time when there was not a lot of precedent for the readable novel, she also quite thoroughly captured this transition from marriage for duty to marriage for emotional fulfillment. If there must be more "Jane Austen and _____" books, please let there be one about that.

Now, back Lewis's work, which was an impressive undertaking in itself. She studied 50 aristocratic women, researching their records and letters, so that she was able to draw both quantitative numbers (for example, the women studied had a mean of 7.5 children) and qualitative examples for the topics she covered. And in addition to the changing role of marriage, she touches on the changing: influence of extended family; role of children within the family; perception and importance of childbirth itself (and the rituals involved); and approach to prenatal care, birth, and obstetrics (as well as the rise of the role of accoucheur).

That might seem like a lot, but because she has such rich examples to draw on, and does so at a good pace, I found this read quickly, except for all those times I was stopping to highlight passages. And I highlighted quite a lot, because despite doing research on childbirth during this time for A Change of Legacies, I found there were still some things that Lewis covered in better detail and, I suspect, greater accuracy than the sources I had been able to find so far. I'll do it gladly, though, because I really want to make my work as historically accurate as possible.

Among the things that surprised me across the whole range of topics:
  • During this era, virginity for women was all about property rights, as was adultery. Chastity, quite simply, ensured a man's property passed to his heirs, which explains the much higher value on women's chastity than men's. It wasn't until the Victorian era that virginity came to have a more significant meaning beyond this, perhaps in keeping with the greater prudishness of this era.
  • Aristocratic women did not let pregnancy (even up until the 9th month!) limit their participation in society. They remained physically active, up to and including fox hunting while pregnant. And it was not a big deal to appear in society or even to travel to the continent while visibly pregnant.
  • Husbands were present through the entire birth. (For obvious reasons, I'm quite happy to have the opportunity to work this one in to Legacies)
  • These women generally gave birth on a lightweight folding bed, in what is known today as the Sims position, which preserved the lady's modesty because her back was to the accoucheur, but let him look at her, erm, lady parts during the delivery. This is a sharp contrast to the birthing chair/physician and lady making eye contact the whole time until the physician catches the baby as it comes out delivery that I had read about in prior research. I'm going to need to dig into this one more, because clearly someone was using all of these birthing chairs that show up in museums and paintings. Either it was considered old-fashioned, or perhaps was used by midwives or more general practitioners.
  • Maternal nursing was neither a no-no, nor done by all. Quite a few of the women in her research chose to nurse their own children, some still opted for wet nurses, and some switched to maternal nursing for later children for the contraceptive effects, in an attempt to slow the growth of their families.
  • London was by far the most popular place for birth (it made it easier to engage an accoucheur), and households were set up there specifically for this purpose. Once the woman was churched and the child christened, the families would then move on, which seems to indicate that traveling with very young infants was not seen as a big deal.
There's more, so much more. Hopefully I've piqued everyone's interest with what I've shared so far. My only concern is that this seems to have been a small publication by Rutgers University Press, and there are only used copies for sale on Amazon. Perhaps we Jane Austen fans can drum up enough interest for a reprint, or, better yet, a Kindle edition.

Sunday, June 21, 2015

Scarlatti's Fandango

Today's musical interlude is the harpsichord version of Scarlatti's Fandango. I haven't been able to come across a version of it as I've envisioned it in ACL, but you can imagine it would be much snappier than it is as played here, although this version is certainly appealing.


Saturday, June 20, 2015

Happy Poldark weekend!

So for those of us in the USA, the first episode of Poldark is finally airing tomorrow on PBS. I've basically mainlined all of the novels (am in the midst of the 12th and final book) and am so looking forward to this series. I really want to buy it on blu ray to get the full effect of the spectacular Cornwall scenery, and so have avoided the temptation to buy the British DVD and watch the whole series already. It was a pretty serious temptation.

Ross Poldark is decidedly more hotheaded and far less concerned with propriety than any Austen hero, but I've generally enjoyed the books (although often cursing at him -- usually in my head, but occasionally out loud).

If you haven't read the books, the trailer should give you any number of reasons to watch the series, if you haven't been planning to already.

Wednesday, June 17, 2015

Guest post at Austenesque Reviews

I know I haven't been keeping up very well with the blog lately (I've been writing the third book, I promise!), but you can head over to Austenesque Reviews for a guest post of mine, on how history has shaped my stories.

Birmingham Back to Backs

For this blog post, I thought I would share a National Trust property, but a very different one from the country houses I usually show here....